AFYON TRAVEL GUIDE

HISTORY OF AFYONKARAHİSAR


Located in the interior of the Aegean Region, Afyonkarahisar is one of the coldest provinces in the region. The city, with a history stretching back thousands of years, is known to have hosted the Hittites as early as the 2000s BC, and later the Phrygians and Lydians. In the late 6th century BC, the region came under Persian rule. Following the Roman and Byzantine periods, the Turks took over the area towards the end of the 12th century. The region was known as Hapanuva during the Hittite period and Akroinon during the Byzantine and Roman periods.


After the Anatolian Seljuk State was defeated at the Battle of Kösedağ, the Sahib Ataoğulları Principality, with its capital at Afyonkarahisar, was established in this region in 1275. The city was formerly known as Karahisâr-ı Sahib, after the title of its owner, Ata Fahrettin Ali. The name Karahisar derives from the fortress perched atop the dark volcanic rocks within the city.


In 1341, the Sahib Ataoğulları Principality was incorporated into the Germiyanoğulları Principality. Following numerous events, the region came under Ottoman rule in 1429. The city's name first appeared in documents as Afyonkarahisar in 1684. The word Afyon was added because of the extensive poppy cultivation in the region.


Aforia Thermal, Afyon, gezilecek yerler

PHRYGIAN VALLEY

Phrygia, which stretched across the region between Afyonkarahisar, Ankara, Eskişehir, and Kütahya, and the Phrygians, who established a remarkable civilization some 3,000 years ago, remain among the legends still traced today. Designed as a thematic cultural route and opened in 2013, the Phrygian Way comprises three main routes, including long walking and cycling paths that meet international standards, enabling travelers to explore Phrygia.


The Phrygian Valley, which was established 3,000 years ago by the Phrygians (the oldest people in history, according to the Greek historian Herodotus), who gave the region its name, by carving houses, castles, and monuments into the rocks, is a truly unique region worth seeing for its boundless beauty and untouched nature. The Phrygian Kingdom, one of the unique civilizations that left its mark on Anatolian history, has been the subject of numerous mythological stories. This valley, where the Phrygians lived for centuries, has also hosted diverse cultures and civilizations throughout history. Surrounded by Phrygian rock monuments and rock settlements, the valley also contains burial chambers and churches from the Roman and Byzantine periods.

 

Due to the easily processed volcanic tuff rock structure of the region and its geopolitical location, Ayazini was used as a settlement area by the Phrygians, as well as by the Romans, Byzantines, Seljuks and Ottomans, who were among the civilizations that shaped civilization.

Because the region is composed entirely of easily worked rock, shelters and castles are found there for shelter, and numerous churches and chapels are found there, stemming from their religious beliefs. Recent investments have contributed to the region's appeal.


WELCOME TO THE FROST

& PROMOTION CENTER

For the first time in Türkiye, the mysterious history of the Phrygians is being brought to life with modern technology at the Ayazini Reception and Promotion Center, the heart of Phrygia. With diverse and innovative digital systems, visitors have the opportunity to learn about the Phrygian Period through hands-on experience.


The museum tour, which begins with an interactive screen depicting the "Mysterious Civilization of the Phrygians," takes visitors on an impressive historical journey with a documentary film prepared for the first time in Türkiye using artificial intelligence technology, shedding light on Phrygian history.


An interactive map featuring documents and photographs of the Ancient Cities and the Royal Road reveals all Phrygian settlements. The following section features intriguing and striking information on Phrygian Culture and Mythology, presented through interactive wall technology and animations.


Virgin Mary Church

The Church of the Virgin Mary, the most striking and unique structure in Ayazini, is also known as the Carved Church and the Gavur Bath. The structure takes its current name from the monogram meaning "Mother of God," carved in relief in the eastern section of the church's south narthex.


The arrangement of the triple apse, perceptible from the outside, is the most significant feature that distinguishes the structure from other rock-hewn churches in Anatolia, and it is rumored to overlook Jerusalem. Inside this church, a historical and cultural marvel with superb acoustics, cross reliefs and inscriptions are found, and traces of the collapsed six pillars of the columns are visible.


The monument dates back to the Byzantine period, and the entrance corridor and narthex walls bear inscribed with seals belonging to various Turkish tribes. These seals, understood to belong to the Kayı, Afşar, Bayat, and Eymir tribes, are living witnesses to the periods when Anatolia came under Turkish rule.

METROPOLIS STOREY SETTLING

The settlement, carved into multiple levels, consists of rooms of various sizes. At first glance, a large room appears to be a hall, and to the right of the room is a staircase carved into the rock leading to the upper floors. The rooms on the left have vaulted ceilings and plain walls, while the opposite room has an oval shape and variously shaped recesses in the floor. The floor of the large space contains wooden pole pits and silos, while the walls are also lined with beam holes and traces of screens, which facilitate room organization.

ASİL'S TOMB

The tomb chamber, with its monumental façade dating back to the Roman period, features a triangular pediment that stands out as a continuation of the Phrygian tradition. In the center of the upper half of the pediment is a worn-out Medusa relief.


On either side of the relief arch are two seated lions, facing each other. To the right of the entrance is an incised cross with anchored ends, in the shape of a Latin cross. On either side of the arch are reliefs of two Phrygian lions, facing each other (antithetically). Three arcosolium tombs (rock-cut tombs with niches) are located on the walls of the tomb chamber, and two simple chamosorions (rock-cut tombs) are in the center. In the center of the chamber, opposite the door, on top of the arcosolium tomb are reliefs of two lions, facing each other. On the ceiling of the chamber are a crescent moon, and on the right side of the entrance are reliefs of a woman and on the left side are reliefs of a man. The presence of two lion reliefs facing each other, as on the exterior, indicates that the tomb occupants held very special status.

AVDALAZ CASTLE

Avdalaz Castle is a multi-story settlement composed of rooms carved into the rock mass rising above a slightly elevated terrain compared to its surroundings. Stairs perched on the rock lead to the upper floors, and to the right of them lies a rectangular stepped cistern. The rooms on each floor are arranged in a chain, and within each floor are also carved spaces resembling mezzanines. Additionally, within the floors are carved spaces for food storage, niches in the walls, and some walls have loopholes.

ASLANTAS TOMB MONUMENT

The doorway at the front of the Phrygian-era Aslantaş rock-cut tomb features two majestic lions standing on either side, each with a lion cub at its feet. Above the doorway is a relief of a mass resembling a tree of life, surmounted by a winged sun disk extending to either side. The presence of steps at the top of the tomb suggests that ceremonies were held at regular intervals before the monumental tomb. Aslantaş is believed to be the tomb of an important Phrygian king and was built in the 7th century BC.

YILANTAŞ

It lies west of Aslantaş, continuation of the same rocks. Because the monument has been destroyed, its triangular ceiling beams are visible. A relief of a lion and a foot have survived on the monument's exterior. The gate features a relief of a snake with the head of Medusa, flanked by two warriors attacking the snake with spears, but these are not visible today because they are buried under the overturned rock.

MALTA TEMPLE

Cybele is an open-air temple with a gabled facade and a mihrab. At the rear of the monument is a well with its covers and an altar. It is believed that this area behind the monument was used for offerings to the goddess Cybele.

DEMIRLI CASTLE

Located northwest of the Göynüş Valley within the İhsaniye district, Demirli Castle began its use in the Phrygian period and continued into the Byzantine period. Various spaces were carved into the natural rock formation known as a castle, creating residences. A large stone-filled cistern with staircases can still be seen today. Immediately adjacent to the rock formation known as Demirli Castle is a necropolis consisting of cist-type rock-carved tombs and other rock-carved burial chambers.

Ancient King's Road

The Phrygian Way, or "Ancient King's Road," is one of Türkiye's most popular cultural routes. Its geological structure consists of tufa rocks and features mysterious traces approximately two meters deep, believed to have served as a trade route. The route, a long walking and cycling route built to international standards for modern travelers to follow the Phrygians' footsteps, was registered by the Ministry of Culture and Tourism in 1994.

Lake Emre

Located near the town of Döğer in the İhsaniye district, Lake Emre is a naturally formed lake that expands and contracts depending on rainfall. Providing ample opportunity to see many of the Phrygian Valley's historical and natural wonders, the lake is also a stopover point for migratory birds.


While taking a boat tour on Lake Emre aboard the King Midas Ship, you can observe the Phrygian rock monuments surrounding the lake and explore the area on bikes and ATVs. You can also enjoy horseback safaris, hot air balloon flights, and camping at Lake Emre.


MEMEC KAYALIKLARI

These ruins, dating from the 8th to the 10th centuries AD, include Byzantine-era living spaces and a chapel carved into the cliffs. On the steep southern surface, churches, burial chambers, and shelters were excavated during the Byzantine period. The most important of these is the church shaft in the center. The film AROG, which brings the Stone Age atmosphere to the audience, was shot in 2008 on the Memeç Rocks in the Döğer town of İhsaniye. The unique structure of the Phrygian Valley was used to create a Stone Age feeling, and the valley's caves, water wells, and flat areas are featured in many scenes of the AROG film.

ASLANKAYA TAPINAĞI

The Aslankaya Monument, a vertically cut temple facade on the southern face of a high rock, features two sphinxes (human-headed lions) facing each other in the rafter spaces of its gable roof. Cybele is depicted between two lions in a niche on the main facade. The main facade is decorated with geometric reliefs. The monument's two side faces are also cut, and a roaring, rearing lion is carved on its north side. The monument, with its distinctive door design and rich reliefs, holds a special place among Phrygian rock facades.

TRINITY ROCK

In and around Üçlerkayası village, in the İhsaniye district, are Roman and Byzantine-era rock settlements, monumental burial chambers, Roman tombs, and water cisterns on the upper reaches of the rocks. Some of the multi-story rock settlements surrounding the massive rock mass, which gave rise to the name Üçlerkayası, have not yet been excavated. Furthermore, the fairy chimneys and ancient roads in the area are a major tourist attraction.

KARAHISAR CASTLE

Karahisar Castle, which lends its name to the city, is one of Afyonkarahisar's most important symbols. With its strategic position at an altitude of 226 meters, Karahisar Castle has been a significant asset to the city throughout history, serving as a crucial point of conquest or refuge for numerous states, from the Phrygians and Hittites to the Romans, Byzantines, Seljuks, and Ottomans. At its summit, traces of the Phrygian culture, which existed in Anatolia between 1200 and 700 BC, can be found within the castle, which houses temples dedicated to the Mother Goddess Cybele and four large cisterns.

It is said that Alaeddin Keykubat hid his treasures in this castle and, according to another rumor, Hz. Ali came to the castle with his horse Düldül and the horse's footprints still exist today.

Offering its guests a unique view of the city, Afyonkarahisar Castle fascinates with its magnificent appearance that defies years.


HEAD RIGHT

Built between 1272 and 1277 in Afyonkarahisar, the Ulu Mosque, built on 40 wooden pillars without a single nail, remains standing tall after nearly 750 years. It has become a rare example of Turkish woodcarving and stonemasonry, and a symbol of aesthetics. A fine example of Anatolian Seljuk architecture with its wooden architecture and glazed brickwork with diamond-shaped inlays, the Ulu Mosque is among the few mosques in the world and is on the UNESCO World Heritage Tentative List.

SULTAN DIVANI MEVLEVI HOUSE

The Afyonkarahisar Mevlevi Lodge, a center for many important activities throughout history, is one of the most important Mevlevi lodges after the Konya Mevlevi Lodge. Founded in the 13th century and one of the 15 Mevlevi lodges with the "asitane" (religious practice) feature, the Afyonkarahisar Mevlevi Lodge became a very important center for the Mevlevi order, particularly in the 16th century during the reign of Sultan Divani, a seventh-generation descendant of Rumi. Sultan Divani was the most important figure in the Afyonkarahisar Mevlevi Lodge, and his tomb is located within the lodge. At the Sultan Divani Mevlevi Lodge, you can examine a wide variety of objects, including wax figures of dervishes, their clothing, everyday items, examples of calligraphy, and musical instruments.

In addition, the tradition of Healing Ashura, cooked with 40 prayers in the Mevlevi lodges, started in Afyonkarahisar during the reign of Sultan Divani and this tradition still continues today.


NATIONAL BATH

It is a fine example of Ottoman architecture. The northern section of the bathhouse is for the men's section, while the southern section is for the women's. It is a masonry structure constructed of rubble and cut stone. Originally known as the "Gavur Hamam" because it was built by Armenian craftsmen, it is now known as the "Millet Hamam." The historic bathhouse was registered as a historical monument requiring preservation in 1981 and was restored between 2003 and 2005. The Millet Hamam, where bathhouse culture is preserved, faithfully displayed with cold, warm, and hot sections, bathhouse tools and equipment, and bathhouse traditions, combines culture, education, and history. It awaits its guests.

HISTORICAL OPEN HOUSES

The historical mansions, one of the first settlements of Afyonkarahisar, are the most beautiful examples of traditional Turkish architecture and attract the attention of guests with their colorful appearance, taking them on a journey into the past.


While locals continue to live in these historical houses, which have taken on a colorful appearance thanks to the Ottoman wood carving art and a special mortar made of straw, sand and soil, some also serve as restaurants, cafes and boutique hotels.


GASTRONOMY MUSEUM

& CULTURE HOUSE

It is a three-story, adobe-and-wood structure with a stone base, reflecting the characteristics of late Ottoman architecture. The first floor of this structure houses the Gastronomy Museum, which houses rooms for making Turkish delight, sausage, and poppy seeds, along with rooms for recreating old kitchens and spaces for daily living.


The second floor of the building is home to the House of Culture and Art, which is one of the first places you should visit to see the city's thousands of years of traditions and cultural characteristics. Afyonkarahisar culture is brought to life with silicone sculptures in rooms decorated with various furniture and antiques.


The ground floor is the Agriculture, Animal Husbandry and Farrier Museum, where various farrier equipment such as oxcarts, heifers, horse ploughs, scarves, pitchforks and rakes are exhibited, including artifacts used in the Seljuk and Ottoman States, in the early years of the Republic of Turkey and in some regions today.


IMARET MOSQUE

The mosque, which forms the center of the Gedik Ahmet Pasha Complex, comprised of a mosque, a madrasa, and a bathhouse, is the most important Ottoman structure in Afyonkarahisar. Also known as the Imaret Mosque, it was commissioned by Gedik Ahmet Pasha, one of Mehmed the Conqueror's viziers, and commissioned by the architect Ayaz Ağa in 1472. The structure, which follows the inverted T-plan (with side rooms and zawiyas) type of mosques of the early Ottoman period, has its prayer hall covered by two consecutive domes.


Its single-balconied minaret is decorated with fluted, spiral shapes, and the spaces between the flutes are covered with dark blue glazed bricks.


STONE MADRASA

It is part of the Gedik Ahmet Pasha Complex, one of the most important structures built in Afyonkarahisar during the Ottoman period. Consisting of a total of 26 domes, the madrasa has a large rectangular courtyard running east-west. The domes are intersected by Turkish triangles. The Stone Madrasa, which exhibits the fundamental characteristics of Ottoman madrasas with open courtyards and porticoes, features porticoes on two sides, seven cells on each side, and a classroom to the east.


Today, in keeping with its historical mission, the madrasa hosts religious and scholarly activities and the revival of traditional Turkish-Islamic arts. Master craftsmen offer courses in prayer beads, headscarves, felt, glass beads, horn combs, silver and mother-of-pearl embroidery, weaving, marbling, knife-cutting, and wood carving.


HATTAT KARAHİSARI TURKISH ISLAM

ARTS GALLERY

The gallery introduces the arts of calligraphy, illumination, and marbling, while the section on calligraphy is divided into three sections: "Contemporary Calligraphers," "History of Writing," and "Calligrapher Ahmed Karahisari." Also on display is a copy of the Mushaf-ı Şerif (Mushaf of the Noble) originally occupied by Suleiman the Magnificent, commissioned by calligrapher Ahmet Şemsettin Karahisari. The original is housed in Topkapı Palace.

BEDESTENER BAZAAR

A covered bazaar was previously built here by Cağaloğlu Rüstem Pasha between 1550 and 1553 by Mimar Sinan, but it fell into disrepair about a century after its construction. The current Hacı Bekir Tiryaki Bedesten was built in its place by a French architect and an Armenian master craftsman. Opening onto the street from four directions, the building has a main entrance on the south. The six gates of the covered bazaar are connected by internal streets, and shops line both sides of the streets. These shops, which primarily specialize in haberdashery, stock wool yarn, lace thread, headscarves, muslin, fabrics, and all manner of needlework materials. Local costumes, henna bags, and covers used in weddings can also be seen.

27. Tashan

 

Built in the 17th century by Kadı Abdullah Efendi and his shoemaker tradesmen, the historic Taşhan has long served the city's trade. Completed in 2018, this impressive two-story, rubble-built inn underwent renovations and houses shops selling local handicrafts in its lower section. You can find a wide range of products unique to Afyonkarahisar, from carpets and rugs to paintings and decorative items. There are also workshops for felt and prayer beads makers, as well as marbling and reed flute artists.


ANTII UTKU

The Utku Monument, identified with the Aliyesi building and Afyonkarahisar Castle in the background, has become the city's most important and well-known symbol. It was commissioned by the Austrian sculptor Krippel to commemorate the War of Independence and unveiled by İsmet İnönü on March 24, 1936.


The monument consists of two parts: the statue and the pedestal. The four faces of the pedestal are decorated with bronze reliefs depicting Atatürk, Turkish soldiers, the Turkish flag, İsmet İnönü, Marshal Fevzi Çakmak, and Atatürk working together on a map, as well as a moment of combat during the Great Offensive.


VICTORY MUSEUM

This is the building where Mustafa Kemal Atatürk arrived in Afyon by car, descending from Kocatepe, after the conquest of Afyon by the 189th Regiment of the 8th Division at 5:30 PM on August 27, 1922. At that moment, this building was declared the headquarters of the Western Front. Commander-in-Chief Mustafa Kemal Atatürk, Chief of the General Staff Marshal Fevzi Çakmak, and Western Front Commander İsmet İnönü stayed in separate rooms in this building, which were then designated in their names. This building is where the plans for the Battle of the Commander-in-Chief on August 30, 1922, were drawn up and the attack orders were given.

AFYONKARAHİSAR MUSEUM

The Afyonkarahisar Museum, with its extensive collection spanning from prehistoric times to the 20th century, dates back to the early years of the Republic. In the early years of the Republic, the Society of Lovers of Antiquities, founded in Afyonkarahisar, began collecting antiquities at the Taş Madrasa. It became the official "Museum Depot" in 1931 and the Museum Directorate in 1933. From 1933 to 1970, the institution operated as a combined museum (Archaeology and Ethnography) at the Taş Madrasa, and in 1971, it moved to its second service building.

The museum's indoor display area is five stories tall, displaying artifacts from the Paleolithic, Neolithic, Chalcolithic, Bronze, Hittite, Phrygian, Lydian, Persian, Hellenistic, Roman, Byzantine, Seljuk, Ottoman, and Early Republican periods, arranged chronologically across a vast 55,000-square-meter area. The museum, the largest in the Aegean Region, boasts a magnificent architecture reminiscent of the whirling dervishes' skirts, reflecting its status as the second most important center of the Mevlevi order, and houses approximately 50,000 valuable artifacts. The museum also houses the world-renowned statues of Cybele, Heracles, and Zeus.


ŞUHUT ATATÜRK HOUSE

The Hacıvelioğlu Mansion served as the joint headquarters of the Commander-in-Chief, General Staff, Western Front Command, and 1st Army Command on August 24-25, 1922. It was here that Mustafa Kemal Pasha made the final preparations for the Great Offensive and ordered the severance of all communication between Anatolia and the outside world.


Mustafa Kemal Pasha's study in the mansion has been redecorated in its original form. It features a divan facing the window, a closet opposite, a desk, a wardrobe, and a flowerpot and lamp. Additionally, the mansion's first floor houses an exhibition of paintings depicting the War of Independence.


VICTORY ROAD

The first headquarters of the Great Offensive, a significant portion of which took place within the boundaries of the Commander-in-Chief Historical National Park and resulted in victory, was established at Kocatepe. The route followed by the command group, Commander-in-Chief Gazi Mustafa Kema Pasha, Marshal Fevzi Pasha, and İsmet Pasha, who departed from Çakırözü village in the Şuhut district of Afyonkarahisar province to Kocatepe on the night of August 25-26, 1922, was redesigned as the "VICTORY ROAD."

KOCATEPE MONUMENT

Kocatepe is the place where the Great Offensive, which ensured the liberation of Anatolia and the Turkish Nation, was launched, led and commanded by Commander-in-Chief Mustafa Kemal on August 26, 1922.


It is located on Kocatepe at an altitude of 1874 meters, 8 km above the town of Kocatepe (Büyükkalecik), 20 km south of Afyonkarahisar.


Kocatepe, one of the cornerstones of the War of Independence, was built with a cut stone monument by the Ministry of National Defense in 1953, and a marble inscription with floral reliefs was placed on it. In 1993, the Ministry of Culture renovated the Atatürk Monument and landscaped the site, and it was opened to visitors.


26 AUGUST MARTYR'S CEMETERY

It was built in memory of Lt. Col. Agâh Efendi and 100 Mehmetçik who defended the Kalecik and Kurtkaya regions, the only passage to Kocatepe where the Commander-in-Chief Headquarters is located, at the cost of their lives and did not allow the enemy to pass and were martyred.

Istiqlal Promotion Center

The Independence Promotion Center, established to instill in future generations an understanding of how the homeland was conquered and to instill its spirit, is a panoramic museum depicting the Great Offensive and the War of Independence. Three-dimensional models of monuments and important structures at the site are provided to provide visitors with a better understanding and a realistic portrayal of the Great Offensive. The Independence Promotion Center is located on the route along which the Greek Army attempted to retreat to Dumlupınar after the Battles of August 26-27, the scene of the fiercest fighting.

COLONEL RESAT

ÇİĞİLTEPE MARTYRDOM

It was built in memory of the 57th Division Commander, Miralay Reşat Bey, who committed suicide on August 27, 1922, out of sadness at not being able to keep his promise to the Commander-in-Chief, Gazi Mustafa Kemal Atatürk, and the martyrs in that area.

GIRESUNLULAR MARTYRDOM CEMETERY

The Greek army occupying our country took up positions in the "Kabaçkırar" and "Dedesivrisi" positions within the district's Doğanlar and Karaağaç villages. During the battle, 14 Giresun soldiers were martyred when the Greeks, upon spotting the approaching Turkish soldiers, opened fire. Ahmet Halis, who went down to Doğanlar village to fetch water for his friends, returned with canisters of water to find 14 of his friends martyred. The martyrs were buried where they lay amid prayers and tears. After a 36-hour offensive, the Giresun soldiers succeeded in driving the enemy from Dedesivri.

 

After the War of Independence ended, Ahmet Halis Asal, a member of the Giresun War Veterans Association, came to the village of Doğanlar in 1964 to visit the battlefields and the graves of his comrades. He decided to build a memorial for his comrades. Asal, who had made a last will and testament: "When I die, bury me next to my martyred comrades. Do not separate me from my martyred comrades," died in 1977. He was taken from Giresun to be buried alongside his comrades in the Giresunlular Martyrs' Cemetery, becoming the 15th person to be buried.


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